Sylum Clan

Nothing is True. Everything is Connected.
Sylum Clan

Sylum Question and Answer: #16

Q: How long have mutants been around? Have we seen any characters in stories that have already been written who are mutants? Can mutants become vampires? Who knows mutants exist?

 

More of the history of Mutants is a big major storyline for Evolution.  Which yes is almost done – as I’m typing this I’m working on the final chapter.   As Sylum develops so will all the characters including Mutants.

 

Bob 2 says – yes you’ve met some, no I’m not telling you who, and there will always be those who know the truth, it’s just what they do with that knowledge that counts.

Sylum Question and Answer: #15

Q: When will Bruce Banner show up? How does he become the big green rage monster? Is it like in the movies, or something else?

 

Bruce Banner shows up in Evolution.  And like everything in Sylum we’ll be taking a little bit of this a little bit of that toss it into the blender and hit puree.

 

Never expect to see the character/storyline exactly as the movie/tv show/book/comic depicts.

Plot Crab Checking In

It’s been a while between finishing up Crab Season and then my summer job at the Pirates Ride at Disneyland I’ve been busy and haven’t bothered dear Bj Jones for a while.

Well I’m Back!!!!

I started off with a quick snip with my claw and got her to write the next part of ‘The Fisherman’ Series.

Next up I’ve got plans for a few stories after that.  I’m a little tired of this only comes out at Christmas.

Dude! Really!

Crab Season last months I should get more time than 1 Day a Year!!!

So expect to see more ‘Fisherman Stories’ cause I’ve only just got started.

 

Oh and just because I can:

Harrison had shaken his head trying not to laugh. “First off you don’t lick crabs, you crack them and suck them dry.” 

 

Sylum Question and Answer: #12

Q: Who is the Joker? When does he come into the Arcs? Is he someone Bruce knows? Is his storyline intertwined with Bruce and Dick?

 

The Joker will first appear at the end of Evolution – see if you can find him.

 

Bruce and Dick’s storyline is starting to take more of a shape, and we’ll be showing more of who Bruce is, and the future for these two in upcoming stories.

Sylum Question and Answer: #11

Q: When do we finally get to see Optimus Prime and the other Autobots? How long have they been on Earth? Are there any that we’ve already met and don’t know it?

 

Ahh Optimus Prime the big giant robot from space that has snuck into major storyline – considering he is 28ft that was a mighty task.

 

Soon.  They are coming soon.

 

Did you meet any? You tell me.

The Dreaded Curveball

There are a lot of things that can irritate an author when they’re working on a series, especially one that is as involved as Sylum. *looks at Gil’s glare and cackles evilly*

 

One of the bigger irritants is the dreaded curveball. What’s the curveball? It’s when something – usually a character, but sometimes a storyline – sneaks up and derails the story in some way. Sometimes it’s minor, such as a person just showing up when they weren’t supposed to, but doesn’t alter the story much. Sometimes it’s major, like when characters show up and alter an entire storyline that affects more than one arc, and you find yourself throwing out future stories and adding a dozen more. In other words, your story goes left or flips a U-turn when it should have gone right, and the writer is sitting there wondering what the hell just happened.

 

Why this subject? Because this has happened in the most recent story Gil is working on. A character was supposed to only make a small cameo, once the character was approved. Now? Well, now he’s horned in on the entire plotline, so Gil’s had to rearrange everything that was previously outlined to fit him in, and who the hell knows what else will change with the new additions. It will definitely change the group dynamic. Dread and excitement are pretty much present in equal amounts, because even I have no idea what’s going to happen.

 

*cackles gleefully again and watches Gil glare* What?

 

Anyway, Bob threw a curveball a couple of stories back when it was suggested (Oh, look, Gil is eyeing Nico pointedly) that Brian would look good in a military uniform. There was a lot of rearranging and adjustments to future stories and storylines that happened because of that. It’s actually done a lot for this storyline in Border, but boy, was it a pain in the ass to get it to the final draft. Even I had issues with it, and I was the one who lobbed the plotbunny at Gil’s head.

 

You don’t even want to know the trouble Bob and Bob 2 have caused for their writers.  *high fives Bob and Bob 2*

 

So what does a writer do when their bunny wranglers throw them a curveball? *tries to look innocent and fails utterly*

 

Honestly, just go with it. The thing is, if an idea comes up and it just clicks and it works, don’t fight it. In the end, it’s more than likely it’s going to make your story better, and if you try to stop it, to force your story a certain way just because that was the original plan, it’s not only going to be much more difficult to write, it’s very likely going to show in the final product, because it usually shows when you’ve written a story you really don’t want to write or don’t really believe in.

 

If it does end up you don’t like it, you can always backtrack and rewrite. Sometimes that happens. Even I have my off days, and things don’t turn out so well the first time, but the point is, with writing, you have to try things out, even if it means more work in the long run. You never really know what’s going to work, but if you really care about your story and want the best you can tell, you have to get in there and do the work: the writing, the editing, the rewriting…. Even when we’re evil and throw you the dreaded curveballs of doooooom.

 

*lobs a plot bunny at Gil and runs*

Some Thoughts on Character

Every now and then, I find I run into something that makes me sit up and seriously take notice.

Generally this doesn’t happen at first. There might be a lot of eyerolling and sighing going on, but gradually it creeps up on you and in the end it’s so much in your face you can’t help but take a deeper interest than you originally intended.

Several moments hit me in the head just lately…

The first was seeing a new interpretation of Edgar Allan Poe in the movie The Raven. I was hoping for a horror film but got a damn good thriller that made me want to go back and reread what I knew of Poe and what I had first seen of his work many many years ago in Lit class.

It was so nicely done, with such a huge amount of respect for Poe’s work and for his desperately sad and grief stricken life, that he’s headed for Sylum.

The film turned him into a character that became somehow much more sympathetic and accessible. It gave him more layers than you’d first assume on perusing his materials. He was more than dark. He was difficult and weird and would have been a very interesting conversationalist if I could’ve sat him down and asked about his life.

The second moment of ‘flail! Whoa that’s awesome!’ came with reconsidering the film The Illusionist.

I’d seen it before and though based on a very so-so short story, it struck me as being worthy of watching more than once, and as that happened so Eisenheim’s character gradually came more and more to life for me in a complex and convoluted story that you have to not blink at or walk away from or you’ll miss the pointers.

He too is a complex man and he too will be heading to Sylum.

Y’see sometimes it’s all too easy to dismiss character, to gloss over it and to treat it as a two dimensional and shallow thing, especially in books and movies that are coming out just lately. Assumptions as to motivation, reasoning, speech, education, action/reaction, can be so weakly created and/or portrayed that in the end the audience is left with little but the feeling that what they’ve just read, watched or experienced is no more than a brief distraction in time with little impact upon their life.

Some might say it has a great deal to do with the ‘soundbite’ culture we live in, and the lack of attention span that is encouraged so much in mainstream media and the general social environment, but I’m not here to talk about that. I’m just throwing the thought out there is all.

The third moment that snuck up and hit me, came from Abraham Lincoln Vampire Hunter. Yeah, I’d dismissed this as silly. The idea was just too daft for words, but then I watched the trailer; very well edited in the extreme and with music and voice over to make you sit up and pay attention. Then came the movie and finally the book. Yes yes, I tend to go for books after the movie or risk being disappointed with the film because the book is stuck in my head. And in the end, despite there still being moments of ‘really are you serious?’ in both of them, it was character that leapt out at me.

Character development and creation was so painstakingly done, and so very well represented on the screen, that as a result I can say it was the most enjoyable movie of the summer for me. But it took a while to really hit me in the head.

Yes sometimes there are too many other distractions and it’s too easy to gloss over a book or a film or a play, or a show or something, and yet it’s not hard to see when things are shallow, at least if you look at it with better eyes than those of the ‘just distract me with the shiny for five seconds’ mentality that we all suffer from to one degree or another.

Take time sometimes to really watch, to deeply read, to seriously consider, and then do it all over again.

It’s actually worth the effort once you start to go deeper into your subject matter and you’ll suddenly find yourself encouraged to want to know more.

Make character worthwhile.

Your readers and viewers will love you for it.

Sylum Question and Answer: #9

Q: Will we ever find out who Jack the Ripper is, or see more of his backstory?

 

What makes Jack the Ripper such an evil son of a bitch that many fear, is the fact no one knows who he is.  As stories progress more of his background will emerge.

 

Bob 2  says – it’s maturing, like fine wine.

Enter the Tiny Annoying Englishman

His name is Henry O. Sturges.

1 s on the end, and don’t ask what the O. is for.

He’s sneaky.  I mean it, really he is.

Who else could send his Mate in as a distraction while he himself herds plot bunnies in the back door?

If you have no idea who or what the hell I’m talking about, check out Abraham Lincoln – Vampire Hunter.

Or you could just sit back and wait for his Private Journals to show up in Sylum starting this Advent.

He’s chatty, at least on paper.

I leave you with this thought:

Abraham:  *shifts uncomfortably*

Henry:  *headtilt*  I like it.

Abraham:  I look old.

Henry:  *grins lecherously* It’s the thousand yard stare and the spread legs and the tension in your shoulders…

Abraham:  *flails* You are not turned on by that?

Henry:  Remember the time I had you in the…?

Abraham: *slaps hand over Mate’s mouth as people stare*  Not now Henry!